DeStewart

Stonecrop rising

Environment, Weather

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Stonecrop bursts through the soil in my backyard, as today’s temp in Chicago reached 81 humid degrees, an all-time high for March 14 and the third-earliest 80-degree day on record.

Uncaptioned flower photo No. 3

Environment

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Uncaptioned flower photo No. 2

Environment

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Uncaptioned flower photo No. 1

Environment

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Cool contrails

Environment, Weather

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Morning sunshine and still air make for cool contrails in the sky above Northbrook, 10 or so miles from O’Hare.

January cacti

Environment

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With 40-mph gusts driving the wind chill well below freezing, I found summer-like solace amid the flourishing cacti in the greenhouses at the Chicago Botanic Gardens.

Organic Chicago Picasso

Art, Environment

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Artist Paul Busse created this replica of the Chicago Picasso sculpture using only natural materials. It’s one of his many works on display at the Wonderland Express exhibition at the Chicago Botanic Garden.

Art in odd places

Art, Environment

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What to do with latex paint that I never intend to use again? That’s the question I faced with a half-empty gallon of Tea Light, an unremarkable hue from Benjamin Moore, occupying a square foot of space in my cramped basement.

I’m not sure what I ever saw in Tea Light. Even on the sunniest days, it has a gloomy cast about it. Honestly, getting its remaining ounces out of the house had less to do with clearing up space and more to do with expunging the memory of it ever appearing on my guest bathroom’s walls (it was quickly covered over with Hawthorne Yellow).

Tea Light paint reflecting overhead clouds

As much as I loathed Tea Light, I wanted to dispose of it in an eco-responsible manner. So I Googled my way to a solution: line a cardboard box with plastic and pour a thin layer of paint in the box; after it dries, add another thin layer; repeat until the can is empty, and then throw out the paint-caked box.

I should have paid greater attention to the “thin” part of the process. My first layer was far too thick and took more than a week to dry. Around day three of the drying process, I took the photo shown here. Though I was frustrated by the painstakingly long time it took this layer of Tea Light to dry, I found the unmixed, semi-dry paint to be far more aesthetically appealing — artful, even — than the well-stirred and carefully applied paint that I’d once applied to my bathroom’s walls.